MIX-MEDIA IN SCULPTURE

MIX-MEDIA IN SCULPTURE

ABSTRACT

Ede-aro festival of Abagana has remained unknown to many people for just for the fact that well known authors have not taken proper insight on the works and cultural heritage of the people of the area. I developed the interest in carrying out this research project on this topic when I realize that nothing has been done on the Ede-aro festival in Abagana.

A town that cannot properly recall its historical past may not be able to define its stand today. Since then, it has been my intension to find out about the trend of Ede-aro festival and its implications on the community life.

For organizational convenience, this research project is divided into six different chapters. Chapter one which is an introduction presents in a parsimonious way the historical background of the study. It also looks at the method of research and general objectives of the study.

Chapter two studies the origin and historical background of Abagana location and people, while chapter three looks at the major event and activities of Ede-Aro festival, preparatory state.

Chapter four outlines the effects of the festivals on the social life of the people. Chapter five examines the input of foreign culture on Ede-Aro festival. While chapter six was the conclusion.

TABLE OF CONTENT

CHAPTER ONE

1.0              Introduction

1.1       Preparation by the shrine priest

1.2       The life of an Aro priest

1.3       Statement of the problem

1.4       Aim and objectives

1.5       Research problem

1.6       Limitation

1.7       Definition of terminology

1.8       Tools

CHAPTER TWO

2.1 Literature Review

CHAPTER THREE

3.1       Project execution

3.2       Preliminary sketches

3.3       The Amature

3.4       Mounting and Finishing

CHAPTER FOUR

4.1       Project analysis

CHAPTER FIVE

Conclusion

CHAPTER ONE

1.0 INTRODUCTION

Among the Igbo and other ethnic groups, festival is one of the most important forms of cultural phenomenon. According to lindwood Frederikson; throughout the history of human culture, certain days or period of time have been set aside to communiurate, ritually celebrate or reenact or anticipate events or season (agricultural, religious or socio-culture) that give meaning and cohesiveness to an individual and to his community, (1908: 1977).

A festival comprises a time set aside for a public celebration and its activities whether religious or secular. It is a special time which is separate from ordinally times. The festival identify with the duration of the special time.
There are different types of festival in Abagana like the Ede-Aro, Ofala and new yam. Ichekeotu, iyazi festuival and others, which are celebraretd in Abagana alone.

The special time is sacred. Thus a participant in a festival identifies himself with the sacred time through ritualistic re-enactment of the events that inform man about his origin, identify and destiny (Frederickson, 1908-1977) has observed a festival in identified with the duration of the special time- a day or period of time. Regardless of the duration, each festival has all or some of the facets: a performance of a kind or rite: passage rites, sacrificial rites, seasonal or commemorative observation and rites celebrating the end of fact or fast period, at the shrine, an actor or any other solemn spot.

b. People gathering together at a community center, market place or any other spot.

c. Communal eating and drinking

d. Dramatic dancing, music playing and athletic displays

b.                  People gathering together at a community center, market place or any other spot.

c.                   Communal eating and drinking

d.                  Dramatic dancing, music playing and athletic displays

MIX-MEDIA IN SCULPTURE